21. According to the passage, interest among photographers in each of photography’s two ideals can be described as
(A) rapidly changing
(B) cyclically recurring
(C) steadily growing
(D) unimportant to the viewers of photographs
(E) unrelated to changes in technology
22. The author is primarily concerned with
(A) establishing new technical standards for contemporary photography
(B) analyzing the influence of photographic ideals on picture-taking
(C) tracing the development of camera technology in the twentieth century
(D) describing how photographers’ individual temperaments are reflected in their work
(E) explaining how the technical limitations imposed by certain photographers on themselves affect their work
23. The passage states all of the following about photographs EXCEPT:
(A) They can display a cropped reality.
(B) The can convey information.
(C) They can depict the photographer’s temperament.
(D) They can possess great formal beauty.
(E) They can change the viewer’s sensibilities.
24. The author mentions the work of Harold Edgerton in order to provide an example of
(A) how a controlled ambivalence toward photography’s means can produce outstanding pictures
(B) how the content of photographs has changed from the nineteenth century to the twentieth
(C) the popularity of high-speed photography in the twentieth century
(D) the relationship between photographic originality and technology
(E) the primacy of formal beauty over emotional content
25. The passage suggests that photographers such as Walker Evans prefer old-fashioned techniques and equipment because these photographers
(A) admire instruments of fast seeing
(B) need to feel armed by technology
(C) strive for intense formal beauty in their photographs
(D) like the discipline that comes from self-imposed limitations
(E) dislike the dependence of photographic effectiveness on the powers of a machine
26. According to the passage, the two antithetical ideals of photography differ primarily in the
(A) value that each places on the beauty of the finished product
(B) emphasis that each places on the emotional impact of the finished product
(C) degree of technical knowledge that each requires of the photographer
(D) extent of the power that each requires of the photographer’s equipment
(E) way in which each defines the role of the photographer
27. Which of the following statements would be most likely to begin the paragraph immediately following the passage?
(A) Photographers, as a result of their heightened awareness of time, are constantly trying to capture events and actions that are fleeting.
(B) Thus the cult of the future, the worship of machines and speed, is firmly established in spite of efforts to the contrary by some photographers.
(C) The rejection of technical knowledge, however, can never be complete and photography cannot for any length of time pretend that it has no weapons.
(D) The point of honor involved in rejecting complex equipment is, however, of no significance to the viewer of a photograph.
(E) Consequently the impulse to return to the past through images that suggest a handwrought quality is nothing more that a passing fad.